‘Toni Erdmann’ was Germany’s submission for the Academy Awards last year, and I think it is easily one of last year’s best movies, regardless of what country it came from. It is also one of the funniest movies I have seen in a long time as there were times I found myself literally laughing out loud while watching it.
Written and Directed by Maren Ade, the movie is about a father, Winfried (Peter Simonischek) and his adult daughter Ines (Sandra Hüller) They have a very complicated relationship, and it has gotten to a point where Winfried thinks he has ceased to know his own daughter. So he visits her in Buacharest, where she is working, and starts to stalk her, at times disguised as his alter ego Toni Erdmann. But the movie is much more than that, it i an exploration of how we as adults treat and disregard our parents. Remember when we were kids and everything our parents did embarrassed us? Well, magnify that situation hundred-fold – that’s one of the premises of this movie. You see Winfred’s character and I have to admit that in the beginning I found the character a pest, as he inserts himself into his daughter’s life coarsely. Simonischek wisely plays the character without too much charm, and as the film unfolds, we get to see what he is doing and where he is coming from, and it happens organically. Not that Hüller’s Ines is an angel, either – we see her as a very strong independent modern woman, and is also a damaged one. We see both characters heal each other.
There are a couple of situations here that are laugh out loud funny. I won’t spoil it, but they involve Dolly Parton’s ‘I Will Love You,’ petit fours, and a naked brunch. This film is both enjoyable and contemplative, and depending on your mood, will hit your heart and your funny bone both. I read somewhere that Hollywood is planning to remake it with Jack Nicholson, and that idea both scares and excites me, depending on my mood.