I am happy that in your local Cineplex between all the summer movies of superheroes and action sequences, there exists a film like ‘Paris Can Wait.’ This film, directed by Eleanor Copolla (Francis Ford’s wife) is, like your average summer movie, a whole lot of nothing. But with its French scenery, French food, and French suitor in the way of Aurnaud Viard, it just seems a lot more sophisticated and worldly. And in the summer heat feels like a great reftreshing creme brulee.
Diane Lane frames the whole film as Anne, a housewife of a movie producer (Alec Baldwin, barely here) who spends her time in his shadow. While at Cannes Film Festival, she develops an earache which prevents her from flying to Budapest with her husband. Instead one of his associated, Jacques (Viard) drives her to Paris. The film then becomes a glamorous road movie, as the normally day trip stretched to two, and along the way, they both explore the French regions, from Aix en Provence to Lyon, weaving through restaurants and museums and Roman aqueducts. To me it’s all interesting, with the shots of fresh lavender fields, and mouth-watering food. I was very much enchanted by all of it, as we see all this through Anne’s eyes. Is Jacques an opportunist French man or is he just plain French? The film will not let you spoil its romantic premise, but then why would you want it to? This is a film of moonlights and slow dances, and sometimes on a Summer afternoon it’s as much as an escape as a space battle. Maybe even better.