Whenever people hear that I love perfume (and collect) more often than not, they always ask me ‘Do you have Frederic Malle?’ The snarky reply would be ‘Of course, any perfumista has,’ but of course I am much nicer than that (most of the time) Truth is, I love Malle perfumes, and for me collecting all of them would be more ‘aspirational’ than anything else because of their price. But sure, I own a couple of bottles and honestly, use them sparingly. I would love to own all of them and use them everyday, but of course, the likelihood of that happening is tiny.
The other side to that equation is that the perfume snob that I am, I now kind of look at the brand with some wary. It has become so popular, every knows about them, people consider it the Hermes bag of perfumes, and frankly, a lot of people wear them. So now I kind of put my nose up on them. But in my heart of hearts, I love them because in the end, they are good perfumes, done well with fantastic ingredients. I mean, you see where your money is going when you purchase a bottle.
Which brings me to Outrageous. This is a collaboration between Malle and Sophia Grojsman, who Malle considered as some kind of idol. And why not? She created Opium and Paris for YSL. This was originally a Barney’s Co Op exclusive from way back, and I always thought of it as ‘diffusion Malle’ because it was priced more accessibly. I have had numerous samples of this, but never really immersed myself into it. Recently, it has now been added to Malle’s regular roster, and I got another sample recently, and tried it.
It’s a beauty. A nice tropical cocktail of a perfume perfect for the higher temperature days to come. It has breezy notes of tangerine and green apple, and bergamot makes it zing. It has cinammon that rounds it up, and is finished off with white musk that is not generic smelling. It is full-bodied but feels light, and it stayed with me for hours, which is unusual for a citrusy scent, proving the worthiness of its price point. It seems a tad dated, like this was something from the nineties or early aughts – but that could be me projecting – I don’t know why, but it feels like an Annick Goutal to me for some reason. Nowadays, this is not terribly niche-y in unique wise. But all in all, I would be happy to add this to my collection, as it were. Just don’t ask me if I have it.