My Fault, I Fear (Stage Thoughts: Side By Side By Sondheim, The Odyssey Theater Ensemble)

side-by-side-by-sondheimI would be the first to admit I am a theater snob. I am a big theater fan, of course, and since I used to be in new York I would see the best of the bests. I still have no time for touring companies (I always say these are the people not good enough to be on the boards) and there were times I would scoff at local productions. But fate has landed me in Los Angeles, and it’s Tinseltown here all day all night that there isn’t much of a theater scene. Still, there are some small gems to be found if you look hard enough. The Odyssey Theater Ensemble in West Los Angeles is doing a production of ‘Side By Side by Sondheim’ and it has piqued my interest. This is a piece that is not touched frequently, and the only thing I know of it is from an Original London Cast Recording. It’s a mostly chamber piece, and to be honest, it has been ages – decades – since I last listened to that cast recording. So my interest was certainly piqued, though of course I wasn’t expecting too much. I told myself, at the very least, I will be hearing Sondheim songs being sung, and that’s much better than Netflix and Chill (theoretically, of course)

That’s my fault, I fear. This is a small diamond production. It is not of the highest grade, but it does well with what it has got, and the production serves the brilliant material well. The cast of four (Rachel McLaughlan, Chris Kerrigan, Sarah Busic, and Mark Kaufman) sing on pitch, and on some numbers even shine on their interpretations. But I sense some greenness – Busic has a little tendency to oversell a song (such as in ‘Losing My Mind’) and McLaughlan has minor tics that distract (she winks at wrong moments) Kerrigan fares better mostly, and has a vocal range that can navigate the intricacy of Sondheim’s music. Kaufman has a lot less to do, essaying the narrator part, and is mostly unmemorable. All in all, they are competent, though, frankly, not top notch.

But that’s me being a showqueen bitch. This is a small production, and it provides enough joys for an evening, It’s better than an episode of ‘Queer Eye’ on Netflix on a random Saturday night, and in my book, that is good.

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