A lot of times, when we don’t have blood-related family (or when we have problems with them) we build our own families through friends. In Director Hirokazu Kore-eda’s ‘Shoplifters,’ he gives he definition of family a very different spin. There are a lot of people in this family, and in the beginning, we think they are all related by blood, and then slowly we see, like an onion being peeled, that there is more layers to how this family become one, even as they add a new member to it. At first, I had a little bit of problem with the film, as I really do not like films that show poverty porn, especially in Asian countries (although, admittedly, they are not many from Japan) Ultimately, this film is much more than what it shows, and it has a big beating heart in the middle of it. I know this film won the Palm d’Or at Cannes this year, and I do think that this is one of those films that would probably benefit from repeated viewings – it is subtle and there’s skin under its skin. I don’t know, honestly, if I got them all in one viewing, and there are times when I felt it was just a bit more self-indulgent that I could take. But I found myself thinking about the film more as I was walking home from seeing it. I found myself asking, ‘what did I just see,’ and then trying to search for answers.