‘Transit’ is one of those movies that challenge me. I was mesmerized by it, but I have to be honest, there were parts that I did nto understand at first, and while some of them made more sense as the film went on, there were also some that were still puzzling after. Directed by Christian Petzold, the film probably warrants a second viewing. But life is too short and I have so much on my to-be-watched plate that I want to do it, but at the same time I don’t have the patience.
But what I got is good. I know it is based on Anna Sagher’s 1944 novel, but is set on present day France (first Paris, then Marseilles) This Paris is not the city of lights, it’s a turbulent one, with chaos and police activity. A man (Franz Rogowski) assumes another man’s identity, then goes to the port city of Marseilles, facing emotional, and political complications. Some of it doesn’t make common sense, but I don’t think Petzold is too concerned about that – the narrative is fluid, combining past, present, 1944, and 2019. It is supposed to be seamless, but it’s messy – perhaps to elevate the chaos of the story. Rogowski, looking like a German River Phoenix, is perfect for the role of a man confused, determined, obsessed. He is mesmerizing to look at. But as I said earlier, this is a tough watch. I cope to having unanswered questions that make me feel slightly dumb. For sure, though, this movie stayed with me. I just don’t know what to do with the fragmented pieces I got.