Do we really need ‘Fosse/Verdon’ in our lives? Should this television series exist? We already have the film ‘All That Jazz’ and Fosse himself envisioned that film to be the representation of his legacy. But I knew I was going to watch this show anyway, and I will be excited about it, because I am a show queen, and this is what show queens live for.
And the first two episodes are certainly rewarding. On the first, we get to see intricacies in how Fosse shot ‘Hey Big Spender’ in the film version of ‘Sweet Charity.’ And on the second episode, we see how they got to create ‘Who’s Got The Pain’ from ‘Damn Yankees.’ And the one thing that is constant in those two scenes – Gwen Verdon. We get to see that she is just as responsible for Fosse’s artistry as he is. He has his own vision, of course, but she helped make it come to life.
And Michele Williams is fantastic as Gwen Verdon. For some reason, she nails her, without making it look like she is cartooning her. We get the essence of the woman so authentically I sometimes forget that this is a woman playing her character. I had to get used to Sam Rockwell as Fosse, though, and that’s probably because Roy Scheider’s performance in the film is so ingrained in my brain. By the second episode, I warmed up to Rockwell, and I am pretty sure as the series goes on, I will be on board.