‘Glory,’ the fourth episode in Fosse/Verdon focuses on 1973, that grand year when Bob Fosse had the triple grand slam achievement of winning the Oscar, the Tony, and the Emmy all on the same year. (His Oscar win was an upset over Francis Ford Coppola, who was favored to win for ‘The Godfather’) But this episode paints him as some kind of tortured artist. We see him tortured about how ‘Cabaret’ is being received, we see him tortured about ‘Pippin,’ which is now in rehearsals – I loved the process of how they got to the Finale. And I guess he was probably also tortured about something in ‘Liza With A Z,’ though they only show the show in a monitor. I wish the show was more abotu the process – could you imagine if this was a Matthew Weiner show? We would have a whole episode on ‘Corner Of The Sky’ alone. But I get it, though. This isn’t the kind of show, and we do need to see the story move forward.
But what we have here is pretty engrossing. And whenever Michele Williams as Gwen comes on, I perk up. I love her intimate scenes with Joan Simon (who would die the same year from bone cancer) and I love the foreshadowing of Gwen seeing Ann Reinking in rehearsals, making a comment about her being so good she doesn’t need to bed Fosse to get a solo. But Fosse’s #metoo moments are really hard to watch in 2019 lens, although I am sure that happened all the time in 1973 and people did not wince.