The ‘gay hustler’ genre is an integral part of queer cinema. I remember int he olden days when most films about gay men had this factor. And for some reason, I am always interested in it – there is something in there that endlessly fascinates me. I know it is somewhat of a tired concept, and really, Camille Vidal Naquet’s ‘Sauvage/Wild’ could somehow feel familiar. But this film felt a little different. First of all, it’s immensely sad as it centers around Leo a street hustler in Strasbourg, who has a very different attitude about hustling. He seems to be not out for just the money. He seems to be a fleetign soul who just wants to be loved – he has no qualms about kissing his client, and he is kind of in love with a fellow hustler who advises him to just look for someone older to take care of him/ (Indeed, that character eventually gets in a similar situation) Leo’s health is failing, and he uses crack. It’s all very bleak and depressing, to be honest, and the caretaker in me wants to shake him up and say, :there are other choice, there are resources which could help you be on the straight and narrow road.’ But of course, we all make mistakes, and we do what our heart tells us to do. The ending here is unconventional – it will make you ponder in its open-endedness, and it will probably upset people. But I looked at it differently after thinking about it – there’s a certain romanticism in being free and doing what you really want, even if sometimes it could lead to destruction. We face those choices everyday, and I sometimes feel it takes more courage to be true to your heart. I have to admit Leo stayed with me for a bit after leaving the movie theater, and at times I couldn’t figure out if I fell in love with him, got mad at his choices, or maybe, I was just in awe of how much he knew what he loved.