Come What May (Stage Thoughts: Moulin Rouge)

moulin-rouge-poster‘Moulin Rouge,’ now playing at The Al Hirschfeld Theater, was my birthday gift to myself. The ticket price was steep, but I know my self-worth and I more than deserve it. I knew the show wasn’t going to be deep, more fun that’s trashy and easy to digest. I confess remembering that I liked the film version, but honestly, don’t remember too much from it besides the fact that it starred Nicole Kidman.

Boy was I surprised. This was excruciating and difficult for me to enjoy. The book, by John Logan was paper-thin, akin to the Italian operas that inspired it. But I could have easily forgiven that if the music was palatable. but hell, this is a musical, and this show seems to have hastily compiled every disposable pop hit they could find from the past couple of decades. I have heard enough of these songs while riding in Ubers and picking produce at the supermarket, so forgive me if I don’t want to hear them on Broadway forcibly shoehorned into scenes. Songs are mixed and mashed for no reason – just when one grooves into a song, it’s cut mercilessly for another one. I despise pointless mashups.

The cast is competent enough, but I thought Karen Olivo was seriously miscast. Her Sabine is a force, for sure (with a grand sparkling entrance) but you never believed for a second that her character will waste any time for a twinky songwriter from Ohio. Yes, Aaron Tveit as Christian looks good on stage and sings effortlessly, but his Christian seems more scared of Sabine than in love with her – they have the chemistry of two dim bulbs. Poor Danny Burstein tries so hard to bring humanity to the role of emcee/engineer Harold Zidler, but you can only color cardboard various shades of brown.

The show reminds me of something you would see in a Vegas lounge show, or a cruise ship. That’s not necessarily the worst thing in the world, but this is the-a-teh. And I know that the show is polarizing, as I see the young lady next to me sobbing at the tragic ending (oops, I hope I didn’t spoil it for you) If I have to say one good thing about it, then sure I would probably commend its set design (pictures can be taken before the show, perfect for your Instagram feed!) but the heart set looks like it was stolen from Follies’ ‘Loveland,; so… Happy Birthday to me!

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