So here’s the conundrum. There are so many good things going for ‘Joe Bell’ that I can’t help but root for it – it has a screenplay by the tandem of Diana Ossana and Larry McMurtry (they did this little thing called ‘Brokeback Mountain’) and film is expertly directed by Reinaldo Marcus Green. And I have to admit, I weeped a couple of times during the film, and I was especially moved by Reid Miller’s performance as Jadin, the gay teenager who took his life because he was bullied by his classmates. And the message, of course, resonates, and will always be timely and important. I mean, all these elements should add up to something special.

But… the stench of Mark Wahlberg permeates. This is a star vehicle for him, designed to elicit sympathy, a redemption vehicle seemingly from his racist past. And I may have been able to get past that if he were good, but he isn’t. He tries subtlety but I did not see any depth there. As a matter of fact, I did not feel anything from him, and I found it such a waste of effort. This could have been any actor’s piece, and it would have worked infinitely better.

So – did I like the film? Yes, in a lot of ways I did. I am begrudgingly recommending it despite its bad central performance, and just wish for what might have been.

Ali Le Roi’s ‘The Obituary of Tunde Johnson’ has good intentions – it tells a story of a gay American-Nigerian teen who gets killed by police – but somewhere gets lost in the translation. Or in the way the story is told. It uses the ‘Groundhog Day’ format and the narrator here recounts day after day the events or what happens to Tunde. But somehow, in the end, teh film becomes z message about the young man’s closeted white boyfriend, and you say what the hell (I actually did not mind as much because the boif was cute) Surely a lot of people will say, ‘that’s now what I signed for,’ and they wouldn’t be wrong.

Another sign of getting old: movies about reconnecting get to you. I felt that way about Thomas Awrey’s ‘Drawn Back Home,’an other wise run-of-the-mill story about two friends reconnecting. But there’s something about the honesty of the performances here that is quite appealing, and before I knew it, the film got to me. It’s a fairly basic story, but all it needs is for it to be told authentically and it will work. This film’s big heart will touch you.

Sometimes you just connect with a film. I felt that way with David Fardmar’s ‘Are We Lost Forever.’ The film is definitely flawed, but for me it does one thing very well: it captures the emotion you feel after a breakup. In the film, a couple decide to part ways, and it shows how each of them deals with the separation. At first there is animosity, even denial, until sadness and depression sets in. Bjorn Elgerd plays Adrian, and he is great here, giving the character depth as he goes from one emotion to another – he is singing and dancing along to a pop song one moment, and crying into his hairbrush the next. At times the film felt so realistic that it was triggering my PTSD. The film even shows some of the inevitabilities of life – when someone else has moved on, and you are not in that place just yet.